Sunday, June 29, 2008

David Hadju on the Treatment


David Hadju, author of The Ten-Cent Plague: The Great Comic Book Scare and How it Changed America, is this week's interview on KCRW's The Treatment. Rick loved the book. I didn't like it quite as much. Anyway, the interview is a typically erudite one by Elvis Mitchell, the former NY Times film critic, who is the sort of person who seems to know a little something about everything. The Treatment is available online and as a podcast through iTunes. And heads up on next week's show, featuring an interview with Andrew Stanton, director of Wall-E. 

King Kong: The Eighth Wonder of the World


As part of their "In Character" series about indelible American characters, this morning's Weekend Edition offered this interesting overview on King Kong.

The piece begins with an interview of Kong creator Meriam C. Cooper recalling the difficulties of getting the film produced.
But when Cooper first proposed the film in 1931, not everyone thought it was a good idea. In fact, no one was interested except David O. Selznick at RKO.

"David played one vital part. He was the only human being that backed me up 100 percent," Cooper said. "He didn't know what the hell I was doing. Everyone thought it was nuts. And everybody wanted me to put a man in a gorilla suit. And it would have been just horrible."

Course as we all know, King Kong and its amazing Willis O'Brien effects was a huge hit and actually saved RKO from bankruptcy.

The feature goes on to discuss the racism in the film.

Cynthia Erb is the director of film studies at Wayne State University in Detroit and the author of Tracking King Kong: A Hollywood Icon in World Culture. Erb says that "most people who know the film would say to one degree or another it is a racist film. At that time in the late 20s early 30s, the jungle genre like Tarzan was very popular in film. So there were a lot of movies set in exotic locations. And the depiction of natives was often patronizing, stereotypical, racist. I think it does happen with the Skull Islanders."

Erb (which always reminds me of another ape contributor Edgar Rice Burroughs-- one who was often criticized for his racism) further explains her viewpoint.

"In my opinion, it always has this other dimension that focuses on King Kong as a victim and on the Carl Denham character as a real intruder, as a certain type who really intrudes and is very clueless about the space he is conquering. So for me that always kind of complicates the argument. There are certainly different ways of reading the film."

I do agree with her. It is a complicated issue.


The report, also, discusses the poor treatment of women as well as the sexual undercurrent throughout.

The entertaining and informative ten minute essay-- interspersed with interview clips from Cooper and Fay Wray-- concludes with a proclamation that I wholeheartedly agree with.
The remakes and a raft of other minor Kong movies over the decades only serve to highlight the power of the 1933 original. For film fans everywhere, Merian Cooper's Kong will always remain the king, the Eighth Wonder of the World.

Saturday, June 28, 2008

An Unexpected Sighting



I was reading Blake Bell's critical retrospective Strange and Stranger: The World of Steve Ditko when I ran across this unexpected mention of my grandfather on p.75.

The art direction, set design, lighting, characterizations, plotlines and dialog of movies had been a strong influence on comic-book artists from the beginning, and with its many theaters and ready access to research material, Manhattan was a movie haven. One of the most popular haunts for acquiring 8X10-inch movie still photos was Irving Klaw's Movie Star News on 18th Street.

"Al Williamson once said he always ran into Ditko at Irving's," says artist Batton Lash.

So Irving Klaw was not only instrumental in the pin-up and fetish industries but served as a source for comic book artists. The latter was news to me.

Labels: , ,

Friday, June 27, 2008

Two movie reviews


My reviews of Wanted and Wall*E are up at RevolutionSF. I don't think I could have reviewed two wildly different movies, both in content and quality.



From that moment on, the film becomes one mindless action scene after another, interrupted by dreadfully scripted, poorly acted, and often nonsensical exposition. None of the action felt particularly original and upon entering the final third, outright stupid. The last action sequence hinges upon the absurd, even for a movie based upon a comic book.


Continued...






Borrowing concepts from eco-Armageddon cinematic tales of the 1970s -- complete with desolate landscapes, bleak situations, and hot topic politics, veteran Pixar director and writer Stanton (Finding Nemo, A Bug's Life, both Toy Storys, and Monsters, Inc.) crafts a very smart script that never condescends. Despite the lack of dialog during the first third of the film, Stanton creatively employs sounds and body movements to express Wall*E's emotions and intents. Successfully incorporating the backgrounds and settings into the narrative, Stanton makes them characters unto themselves.

Continued...

Labels: ,

Thursday, June 26, 2008

May We All Have This Complaint...


From the June 25th USA Today Book Buzz:
Plum thumb:
It's tough being a best-selling author. Just ask Janet Evanovich, who has discovered that signing books can be a real pain. Evanovich, who wrapped up a six-city book tour Monday, is sporting a brace on her right hand. Fearless Fourteen, her new novel starring New Jersey bounty hunter Stephanie Plum, enters USA TODAY's Best-Selling Books list at No. 1. The tour started June 17 at the MGM Grand Theater at the Foxwoods Resort & Casino in Mashantucket, Conn., and drew more than 2,000 fans. Huge crowds also showed up in Omaha, Denver, Dallas, San Diego and Los Angeles. "It's at least 1,000 people at each signing, which goes on for at least five hours, and they all have four or five books," Evanovich says. "The human thumb is not designed to do that six days in a row."

Somehow, I'm having trouble mustering up much sympathy.

Labels:

Wednesday, June 25, 2008

School Dangers: Drugs, Bullies, and Ninjas?!?!


"Ninja" sighting locks down Barnegat schools

BARNEGAT
— A report of a ninja sighting in the woods near the Robert L. Horbelt elementary School prompted a brief lockdown of the township's public schools...

Continued...

Ninjas? In New Jersey?

Labels: ,

Tuesday, June 24, 2008

Kyle Piccolo: Comic Shop Therapist



In the eponymous Web TV series, Kyle Piccolo of New York City's Midtown Comics doles out pearls of life wisdom to his often socially inept customers and his sidekick Doucheus. Created by Alec Pollak, Neil Turitz, Eric Zuckerman and John Cassaday, Kyle Piccolo: Comic Shop Therapist offers a scarily realistic insight into the world of the comic shop. So far there have been only two episodes but I've picked up these two very important pearls of wisdom: Gods sell better at an angle and even though Reed Richards is the smartest man in the world, he too has relationship problems.

With some big time sponsors and witty scripts, I expect this one to be around for a while.

Labels: ,

Thursday, June 19, 2008

The continuing saga of Crash, Annie and Nuke



This week marks the 20th anniversary of one my favorite movies, Bull Durham. Far more than a movie about baseball, the film taught important lessons about love, life, Susan Sontag, and that candlesticks always make for a nice wedding gift.




Sports Illustrated
senior writer Austin Murphy give us this inside scoop to what happened to Crash Davis, Annie Savory and Nuke LaLoosh following the end of Bull Durham.

The following June, LaLoosh appeared in a photograph in Sports Illustrated bearing the caption, "I See London ..." The image revealed a hole in his pants -- he'd just brushed himself off after a hard slide into second -- exposing to public view the clasp of a black lace garter. The following week, as "GarterGate" reached a full boil, he explained to beat writers that, ever since his days in Durham, he'd made periodic use of the garter, whenever he needed to get himself out of a funk. (He thought it unnecessary to repeat what Annie had told him: "They're gonna hug your waist so snugly and kinda dangle off your thighs and buns in such a wonderful way it'll help you see things differently.")

Continued...



Labels:

Tuesday, June 17, 2008

The Suddenness of Things


My Nexus Graphica co-conspirator Mark London Williams penned this moving, heartfelt appreciation of the late comic book shop pioneer Rory Root and his impact on Mark's life and art.

And then came Comic Relief, Rory's store, opening up near the top of University Avenue. It was crammed with mainstream, underground, foreign and "adult" releases, and was one of the first retailing spaces to get behind those collected, bound "graphic novel" thingies that are so au courant right now.

The irony was, I had already moved down the I-5 here to the Pueblo of Angels (where, NorCal ex-pat that I am, I remain while my sons do their own growing -- though I'm not convinced the water will hold out, down here, but again, another column entirely). But I return to the Bay Area's auld sod often, and I'd pop in to Comic Relief whenever I could.

Rory was kind enough, in the early days of my Danger Boy books, to sponsor a signing for me at the San Diego Comic-Con, since the original Tricycle Press editions of the first two books featured covers by the Promethea art team of J.H. Williams III, Mick Gray, and Jeromy Cox.

I can't say we were overwhelmed by long lines of fans, in those earliest days of the book's release, but I always appreciated Rory's willingness to help another Berkeley brother out, even if he was writing prose with no interior pictures.

Continued...

Labels: , ,

Monday, June 16, 2008

Page 123, Fifth Sentence

Jeff VanderMeer tagged me. As instructed, I am posting the fifth sentence on page 123 of the nearest book.

The following is from How To Become a Movie Star by Irving Klaw:

"See the good points in other people and try to understand and tolerate their faults."

I tag

Mark Finn
Jeffery Ford
Peggy Hailey
Colleen Lindsay
Mark London Williams

Now they too can waste their time playing this silly game!

Labels: ,

Daisy Girl



From today's New York Times, Tony Schwartz, the adman who created Lyndon Johnson's 1964 Daisy Girl ad, has passed away. Daisy Girl (actual title: Peace Little Girl) is the most famous television political ad ever created. George H.W. Bush's 1988 Willie Horton ad is the only other one that even comes close in terms of impact. The difference is that Daisy Girl is a genuine work of art. It tries to evoke an emotion in the voter rather than propose or oppose any particular policy. It preyed on unspoken fears that Barry Goldwater--LBJ's opponent, who'd once joked about lobbing a nuke into the men's room in the Kremlin--couldn't be trusted with his finger on the button. Like the Willie Horton ad, Daisy Girl was never widely disseminated. The LBJ campaign showed Daisy Girl once and the press and the outrage of the Goldwater campaign carried it on the wind.

I love political advertising. It was instilled in me at an early age. When I was a kid and my dad was driving me to school, he used to amuse himself with Tourette-like riffs on old ads and slogans, to the point of driving me insane. So I was probably the only kid my age who knew that Barry Goldwater's slogan in '64 was "In Your Heart You Know He's Right" or that Nixon's 1968 ads proclaimed "This Time. . . Nixon."

There is a great website, The Living Room Candidate, which archives commercials for presidential campaigns from 1952's Eisenhower-Adlai Stevenson tilt up to 2004. Schwartz's commercials for LBJ's 1964 campaign were all masterful. I would especially recommend the one titled "Our President," which again makes the point against Goldwater by solemnly praising LBJ's "prudence."

And Richard Nixon (or RN to those of us who love him) learned the lessons of the LBJ campaign. All of his ads from 1968 are masterpieces: watch "Convention" (which might be the most remarkable political ad I've ever seen and doesn't have a word of dialogue) or "Failure" (which the Obama campaign could pretty much use with a minimum of edits). There was a reason these were stuck in my Dad's head.

Thursday, June 12, 2008

Forthcoming books


At last night's meeting (and shame on you for not being there), we determined our books for August and September.

Our schedule for the next three months:



As always, we meet at 7 PM at the Flightpath. Visit the Dark Forces home page for more details.


Labels: , ,

Wednesday, June 11, 2008

Secrets of a Jedi Bookseller


Gary Denton on his blog the Easter Lemmings Liberal News lamented that my "Geeks With Books" column "Secrets of the a Jedi Bookseller" was no longer available online. After reading Geek Confidential, Gary wanted to share the piece with some friends.

So rather than make Gary buy books for all his friends (though it does make a fine present and some quality bathroom reading), I've decided reprinted the essay here.


Secrets of a Jedi Bookseller

“I need some help. I’m going on a trip and need a good book to read.” A lot of my conversations start this way. In this case, it was a woman who was a fan of fantasy fiction. She was at a lost.

“What books have you enjoyed in the past?” I quizzed her.

She shot me an incredulous look, “Fantasy.”

I smiled at her. “I know that. I meant which books did you most enjoy reading?”

“I really liked Neil Gaiman’s novels but don’t want to spend hardback money for American Gods. And I enjoyed George R. R. Martin’s fantasies.”

I have this sort of conversation many times a week. It’s one of my favorite discussions. I love to sell books. Some might even say I have a mutant power of sorts; this uncanny ability to match a person to the perfect book, which they didn’t even know they wanted. I argue it’s a less an innate ability but rather a learned response based on few skills that can be taught. Allow me to illustrate my point.

One key to becoming a good bookseller starts long before you approach a customer. The first is to learn something about as many authors and titles as possible while developing an expertise in a select few subjects. And how do you do this? No one can read everything so it’s important you read reviews but even more important is listening to readers. Find out what they like; what they don’t. Ask everyone you know for critiques. I can sell any type of book, but my speciality is genre fiction. (For those of you not into book lingo, genres are novels that are not just classified as fiction. Science fiction, fantasy, horror, western, romance, and espionage are all genres.) Okay, I fibbed a bit. I’m not too good at selling romance novels. Though I’m particularly proud of my ability to sell westerns. Nothing beats the looks I get from a sixty-something good ole boy when he realizes this long-haired-superhero-t-shirt-wearing-hippy knows a thing or two about westerns.

Years ago my mother and I struck a deal. I would get her advanced reader copies as long as she critiqued the book for me.(Advance reader copies or galleys are usually softbound uncorrected copies that are given to booksellers and reviewers prior to publication.)She told me what she thought of each one. Thanks to her, I know all about Robert Ludlum, John LeCarre, Lillian Jackson Braun, Sue Grafton, and a host of other writers that I would never read.

My mother is not the only person I listen to. I’ll ask any reader what they think. I have cultivated an ability to remember what a person thought about a book. This especially helps with repeat customers. I’ve made several good friends this way.

Once you’ve started devouring the New York Times Book Review, Locus, various internet review sites, and other available information, you are almost ready to sell books. Now you need one more skill: Listening. Listening is the most important thing a young bookseller can master. Let the customer tell you what they like. Pay attention. Their will be a quiz. Coax information out of them. Find out what they enjoy reading. Ask about their occupation, their hobbies, anything that might point you in a direction. Engage the customer in conversation. The last thing someone wants to feel is like they are being sold to.

This method also applies to customers buying gifts. I cannot tell you how many times I have found books for Uncle Chester who is a lawyer, loves science fiction, reads Tom Clancy, and voted for Bush (both times!). Or for the 15 year old niece who loves Harry Potter and Narnia, but is ready for something new. (And my selections? Uncle Chester gets either a Turtledove or a Weber Honor Harrington novel. If I feel the need to expand the scop of his reading, I’ll introduce him to everyone’s favorite ex-Troskyite Libertarian Ken MacLeod. The niece is getting Anne McCaffrey’s Dragonflight or perhaps the fantasies of Philip Pullman.)

Once you get a feel for what they want, don’t hesitate to make as many recommendations as possible. Give them an armful. The key here is to suggest what THEY will like, not what you like. What you like is inconsequential. Select each book and place it in their hand. This is essential. Make the experience tactile. There is something about the feel of a good book between your hands. (You can always spot the serious book affeciando. They will carefully hold the book in both hands, gently running their fingers over the cover; reveling in the matte or glossy finish, noticing every nuance and imperfection. If it is a hardback, they will remove the dust jacket and look over the binding and cloth cover. And the way you know you are dealing with a REAL book fan? They will open the book and sniff the pages. Yes, smell the book. A well made book has this distinct smell. Old yet enticingly fresh and new. There are only a handful of things that smell better than a book.) As the customer holds the book, explain why you think this book is perfect for their needs. Make the explanation brief, a minute or less then move onto the next title. Do not give them time to decide just yet. My philosophy is to pile them up with as many titles as they can stand and then leave them alone. This is important. Give them room to decide. Some people choose quickly. Others take what seems like hours.

Whatever the customer decides, do not take offense. If they pass on some or all of your selections, it is nothing personal. Often they will return later to buy the same books you recommended. An interesting side benefit from this selling method is that others often overhear your pitch. I cannot tell you how many times I have sold books to interested third parties.

When dealing with a customer, remember that politeness is your best weapon. Greet everyone. Thank the customer for shopping. Say goodbye and if they are shopping for someone else, wish them luck.

Bookselling is a lot like chess. A moment to learn but a lifetime to master. It took me a long time to learn when enough is enough. When it was time to back off and leave the person alone.

And what happened with my traveling, fantasy reading friend? She left with 6 books: two Jonathan Carrolls, two Charles De Lints, a Moorcock fantasy, and Gaiman’s American Gods. She changed her mind on the hardcover. On her way out she stopped to ask for my name, and to tell me she would be back. One final note: Of the six books, I had read only two of them. The others I sold based on what others had told me or reviews I had read.


There you have it: some of the many secrets of bookselling. Now I have to kill you.

Labels: , , ,

Tuesday, June 10, 2008

Happy Birthday Maurice Sendak!


When people ask me about my influences, one of the names I always forget is Maurice Sendak. Sendak, who turns 80 today, and his seminal work Where the Wild Things Are, if not created my love for monsters, certainly fostered it. The tale of childhood rebellion and unconditional love fed directly into my childhood psyche and reality. My mother always encouraged me to debate, to wonder, to question. All the while, I knew she would always love me. When I began writing, the fact that my family would always love and respect me lent me the confidence to write what I felt and believed, regardless of what others thought. And of course monsters have always been a huge part of my creative reality.


Over time I read the vast majority of Sendak's works but nothing stuck like Wild Things and for Halloween 1997, I was Max. You really have to love a children's book to dress as the main character when you are thirty.

Thank, Mr. Sendak, for everything and a happy 80th birthday!

Coming this Wednesday


Just an FYI for those of you who don't haunt your comics store every Wednesday. Marvel Comics continues its run of giving some of today's hottest crime writers the keys to its characters with Punisher Max Special: Little Black Book. The story is by Victor Gischler, author of Gun Monkeys and The Pistol Poets. I have no idea what it is about but I love Gischler so I'll be buying a copy. On top of this, Duane Swierczynski is currently writing Cable--Marvel smartly put an ad for it in the back of his (great) new book Severance Package. And Charlie Huston (A Dangerous Man, Six Bad Things) scripted the first issues of the recent Moon Knight relaunch. I'm immune to most of Marvel's stuff, but seeing these names on covers is making me pause when walking through the comics store on Wednesdays. Very smart moves by their editorial staff. 

Labels: ,

Wednesday, June 4, 2008

Philip K Dick Topples the American Canon


This bit comes from Media Bistro:
When the Library of America's publicist informed me that last year's collection of four classic Philip K. Dick novels was their fastest-selling title ever, I was pleasantly surprised, but I wanted some proof. LOA marketing manager Brian McCarthy was happy to oblige, informing me that the Library had shipped 23,750 copies of Four Novels of the 1960s—the better part of two complete print runs—and that returns were a "staggeringly low" 5 percent. By way of comparison, the Library's last major foray into science fiction and fantasy, the H.P. Lovecraft Tales published in 2005, sold 11,860 copies (with a similar return rate) in its first year (with gross sales-to-date now standing at 26,000-plus.)

This is better than other more traditional LoA "heavy-hitters" such as the first collection of Jack Kerouac novels (shipped just under 15,000 copies in its first year, with a return rate of 10 percent), two-volume collection of Edmund Wilson's critical writings (9250 and 12%) and the American Poetry: The Seventeenth and Eighteenth Centuries anthology (4200 and 8%).

And the trend should continue with the second PKD volume (Five Novels of the 1960s and 70s which includes Martian Time-Slip, Dr. Bloodmoney, or How We Got Along After the Bomb, Now Wait for Last Year, Flow My Tears, the Policeman Said, and A Scanner Darkly). The book is not due out until July 31 and pre-orders already exceed 10,000.

It's a good time to be a Dickhead!

Labels: ,

Review of Harlan Ellison Documentary



The New York Times
can normally counted on for quality, well-written reviews. Nathan Lee's contribution about Erik Nelson's Dreams With Sharp Teeth, a documentary about legendary hothead Harlan Ellison, falls considerably short of the paper's usual standards. To put it bluntly, the piece reads like a catalog description with no worthwhile commentary or insights.
Directed by Erik Nelson, “Dreams” recalls the career of a runty young geek who evolved into a world-famous artist — and ladies’ man, civil rights advocate and, from the look of his Xanadu-like Hollywood hideout (aptly nicknamed the Lost Aztec Temple of Mars), a fiercely committed collector and pack rat. Mr. Ellison’s written achievement largely takes second stage to his volcanic verbal attitude, of which there’s more than enough to overflow an entire outlandish mini-series.

The movie itaself may be high art or a piece of trash. Regrettably, there is no indication of either in Lee's tepid review.

Labels:

Monday, June 2, 2008

New Gods reviewed in NYT


It's too bad Kirby didn't live long enough to see his epic Fourth World reviewed in The New York Times.

It’s hard to know what a teenager would make of this. But Kirby was writing just as much for himself. He was 53 when he undertook the Fourth World, and a veteran of World War II. But as Evanier points out, and as is evident throughout this book, Kirby was deeply inspired by the young generation that was renouncing war around him. His understanding of the youth movement was perhaps idiosyncratic (in Kirby’s world, the “Hairies” built their perfect society in a giant missile carrier they called “The Mountain of Judgment”). But they too were forging a new world; and the pleasure he clearly took in their efforts seems to have balanced the bouts of Orion-like rage. In one moment, Highfather of New Genesis turns to one of the young boys in his care. “Esak,” he asks, “what is it that makes the very young — so very wise?”

“Tee hee!!” Esak replies. “It’s our defense, Highfather — against the very old!!”

This is probably the only passage in the English language containing the words “tee hee” that has actually moved me.

Continued...

Labels: , ,